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Palette and furnishings hewed to the architecture’s Asian demeanor. “To me, sage greens, terra-cottas, and grays all have a Zen feel,” says Willetts. “And the red nods to the Asian influence.” She was particularly resourceful with art and accessories, since antiques and paintings might tip the house too much toward formality. She sought a more organic feel and skillfully framed textiles and Indonesian shadow puppets and arranged indigenous artifacts on tables and shelves, imbuing the space with soul. For all the elements to find harmony—with the water, sky, and captivating views—Willetts’s design had to thoughtfully merge style and serenity.